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1. Adobe premiere pro cs 5.5 no adjustment layer 64 Bit#
2. Adobe premiere pro cs 5.5 no adjustment layer update#
3. Adobe premiere pro cs 5.5 no adjustment layer full#

Adobe premiere pro cs 5.5 no adjustment layer update#

Here are a few examples of this in the October 2013 update to After Effects CC, version 12.1: I love the new mask tracker and the speed enhancements to the 3D tracker. Please find more info on Premiere Pro CC here :-Īfter Effects CC also gets an update this month. Working with multicam source sequences is also improved, with Premiere Pro now displaying a composite view during the edit, so the multicam view matches the final output, and displays any applied scaling or effects. Multicam workflows have been further enhanced, with easy control over the ordering of angles, and the ability to switch angles on and off, making working with large numbers of camera angles simple. Designed to be flexible and customizable, editors can select which metadata is displayed and where, so important information such as clip timecode, edit point indicators and marker comments can be seen at a glance and in context. The new Monitor Overlays feature allows for critical information to be superimposed in both Source and Program Monitors.

Adobe premiere pro cs 5.5 no adjustment layer full#

For the highest resolution, RED Dragon 6K is also natively supported, with full RED color science built in.

Adobe premiere pro cs 5.5 no adjustment layer 64 Bit#

New native file format support for Cinema DNG, Sony RAW, Phantom Cine, improved MJPG from Canon 1DC, Sony XAVC Long GOP, Panasonic AVC Ultra (Long GOP), 64 bit ProRes decoding (Mac OS X 10.8 or higher only), and support for exporting XAVC up to 4K and AVCi200 is included, and Cinema DNG can be debayered on a supported GPU for even better performance.

You can access all the clip edit points, transitions, and layers, using the same track layout as Premiere Pro. SpeedGrade then opens the sequence in a familiar timeline that more closely matches how you work in Premiere Pro. With Direct Link, editors can save a project in Premiere Pro and then open the sequence they were working on directly in SpeedGrade, with no need to deal with interchange formats or any kind of conversion. With this release, SpeedGrade has fully implemented the Mercury Playback Engine from Premiere Pro, and a brand new workflow between the two applications is being introduced, namely Direct Link. One feature I’ve been looking forward to is the integration between Premiere Pro and SpeedGrade! In a matter of just 4 months the team has worked on new features, new codec support and enhanced some of the existing functions in the apps. We just recently announced new features for all our video products! In Premiere Pro CC, the following formats are accelerated: Smart Rendering Formats updated in Premiere Pro CC

The lower the bit rate, the faster it renders (less data per frame to copy, so it can do more at the same transfer speed). Render times are anywhere from 4 to 12 times faster than realtime. Using these formats, smart rendering creates an accelerated workflow, and less generational loss. To disengage smart rendering, deselect the checkbox in the XDCAM exporter plug-in. Premiere Pro sees effects applied and falls back to regular rendering if needed. If you have these types of clips in your timeline in a sequence with matching settings, are exporting out to MXF OP1a with a matching preset, and the checkbox is checked in the XDCAM exporter plug-in, it engages. Smart rendering can accelerate MXF render times for long GOP MPEG2 essences, while avoiding recompression.įor DV or DVCPro formats, smart rendering automatically engages.įor XDCAM formats, check the checkbox for smart rendering in the XDCAM exporter plug-in. When exporting, smart rendering can be used for certain formats to create better quality output by avoiding recompression when possible.In previous versions of Premiere Pro, smart rendering has been available for DV and DVCPro formats.In Premiere Pro, smart rendering capability has been added for Long GOP MPEG2 OP1a exports, where the original material is a matching long GOP MPEG2 OP1a or XDCAM EX file. Heres an excerpt from the Premiere Pro help on “Smart Rendering” :.

It can be found in the Export Settings dialog box (screen grab below) Smart Rendering is turned on by default in Premiere Pro CC.